Showing posts with label Alan Moore. Show all posts
Showing posts with label Alan Moore. Show all posts

Tuesday, October 23, 2012

WATCHMEN by Alan Moore and Dave Gibbons


When it comes to superhero comic books and graphic novels, I’m more used to the save-the-city-from-the-Joker and the stop-Doctor-Doom’s-evil-schemes set up, so Alan Moore’s Watchmen is a pretty unique read for me.

At first glance, one may think that Watchmen is simply about costumed heroes in New York. Looking deeper, however, one will see that it is much more than that. Alan Moore’s tale presents to the readers the violent and dirty world of vigilantism, the askew morality of society, the fine line between right and wrong, and the light and darkness of human character.
           
The line-up of characters is very diverse. Present in the story are idealists, cynics, reluctant heroes, antiheroes, fighters, cowards, phonies, and super-humans. The superheroes in the graphic novel aren’t all like the gung-ho, morally upright costumed vigilantes seen in the pages of DC and Marvel Comics. To use the most obvious examples, characters like the first Nite Owl and Captain Metropolis reflect the classic boy-scout superheroes, while characters like Rorschach and the Comedian represent the darker, grittier, and more violent side of the field of vigilantism. Even the smaller civilian characters represent aspects of the human psyche and of society.
            
Vigilantism and crime isn’t the only theme of the story. Watchmen becomes very philosophical and critical, discussing right versus wrong, the value of human existence, the end justifying the means, what makes someone a “hero”, and even the definition of sanity (one has to admit, the purportedly insane Rorschach saw the world with unnerving clarity).
            
Considering that it was published in the 1980s, Watchmen is a landmark graphic novel. Alan Moore intrepidly tackled things which weren't discussed in the field of comic books and superheroes at that time, something which I greatly appreciate and admire about him. I also like how Moore used minute and tiny details to either imply or foreshadow (this subtlety suited the story quite well) and how nothing (plot device and character) presented in the graphic novel was pointless.

Yes, it opened up the darker side of superheroes and had a hand in the emergence of the heavier and more serious tone that comic books carry nowadays, but it was not the perfect graphic novel. While I enjoyed it immensely, both plot and art, I cannot say that it was the greatest graphic novel ever, given that it had its rough spots here and there.
            
Overall, a great read. I definitely recommend it to anyone who is interested in comic books and superheroes.

Here are some quotes in the graphic novel which I thought were worth sharing:

"We gaze continually at the world and it grows dull in our perceptions. Yet seen from another's vantage point, as if new, it may still take the breath away."

"No. Not even in the face of Armageddon. Never compromise."

Until always,

Lemonjuicesodapop

Wednesday, October 17, 2012

Sunday, October 14, 2012

THE LEAGUE OF EXTRAORDINARY GENTLEMEN, VOLUME 1 by Allan Moore and Kevin O'Neill




Set in an alternative Victorian England, a team of unique individuals is assembled to aid Her Majesty’s Empire when its capital is in a time of impending peril. 
I was first introduced to The League of Extraordinary Gentlemen in 2003, when the film adaptation was released. Though I did not think much of the movie itself, I did enjoy the idea of different literary characters banding together to be the Victorian version of the Avengers or the Justice League. So, nine years later, I decided to buy the graphic novel after finding it in a bookstore.
The graphic novel and the movie are very different. I prefer the roster of the graphic novel, as well as the team dynamics where Mina is the leader instead of Quatermain. Even the characterization of each member was better in the graphic novel, though I did not like how Mina needed to be saved twice at the beginning of the story (on the plus side, her independent spirit, headstrong personality, and capable leadership make up for it). Every member of the League has a deep flaw or issue which he (or she) must grapple with, giving the characters depth. 
As a self-proclaimed literature nerd, I was very amused by all the well-placed literary references and allusions. I also liked how Kevin O’Neill didn't try to make the images glamorous as other period pieces. It is only fitting since the story itself is gritty as opposed to glamorous. 
The plot, too, was better than the one used in the movie, though I agree with Allan Moore’s statement that some plots are really only fit to be in comic form. This might be one of them, unless an extremely clever artistic teams can find a way to make this one work onscreen.

Well, on to the next book!

Until always,

Lemonjuicesodapop